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Moscow Art After the Revolution (Vanity Fair, 1919)
20th Century Artists Rediscover Woodcut Printing (Art Digest, 1936)
A Degenerate Work of Art: Cubism (The Art World, 1917)
Art Sacandal: Aubrey Beardsley Forged (Vanity Fair, 1919)
Arthur B. Davies (Vanity Fair, 1919)
Artist of the Ashcan School: John Sloan (Touchstone Magazine, 1919)
Auguste Rodin, R.I.P. (Vanity Fair, 1917)
Augustus John by Aldous Huxley (Vanity Fair, Undated)
Augustus John on the British Homefront (Vanity Fair, 1916)
Ben Shahn ('48 Magazine, 1948)
C.R.W. Nevinson Rants About the American Art World (Literary Digest, 1922)
Claude Monet --The Last Survivor of the Old Guard (Vanity Fair, 1920)
Clive Bell on Andre Derain (The New Republic, 1921)
Constantine Brancusi (Vanity Fair, 1916)
Edgar Degas: R.I.P. (Vanity Fair, 1918)
German Expressionism (Current Opinion, 1919)
Government Funding for the Arts Praised (Direction, 1938)
Grant Wood: Iowa as Muse (Art Digest, 1936)
Harsh Words for the Futurists (Vanity Fair, 1916)
Henri Matisse Viewing in New York (Vanity Fair, 1915)
Is There an American Art? (Current Opinion, 1922)
Isamu Noguchi (Creative Arts Magazine, 1933)
Jacob Epstein: Firebrand of Art (Vanity Fair, 1915)
John Singer Sargent in 1914 (Vanity Fair, 1914)
John Sloan Ridiculed Cubism (The Masses, 1913)
Krazy Kat: Low Art Meets High Art (Vanity Fair, 1922)
Labeled as Degenerate Art, the Nazis Exiled Many Modern Masterpieces
(Art Digest, 1939)

Lenin, Rockefeller and Diego Rivera (The Literay Digest, 1933)
Madame X by John Singer Sargent (Vanity Fair, 1916)
Mario Chiattone, Futurist Architect (Current Opinion, 1919)
Max Beckman Since the War (Art Digest, 1946)
New Portrait Busts by Jo Davidson (Vanity Fair, 1916)
New York Exhibit for Le Corbusier (Art Digest, 1946)
Paul Cadmus: Modern Satirist (The Art Digest, 1937)
Paul Cezanne Gets His American Viewing (Vanity Fair, 1915)
Paul Thevenaz: Rhythmatist Painter (Vanity Fair, 1916)
Picasso Lampooned (The Literary Digest, 1913)
Public Art (Literary Digest, 1935)
Reminiscences of August Rodin (Vanity Fair, 1918)
Robert Henri (Vanity Fair, 1916)
Rockwell Kent: Artists of Democracy (Script, 1942)
Some Italian Futurists with a Past (Vanity Fair, 1915)
Stuart Davis: Thirty Years of Evolution (Art Digest, 1945)
The Armory Show of 1913 (Literary Digest, 1913)
The Art of the Insane Looks Like German Expressionism (Current Opinion, 1921)
The Art of Thomas Hart Benton (Vanity Fair, 1922)
The Bauhaus Idea (Art Digest, 1938)
The First N.Y. Exhibit of Paris Art Made During the Occupation (Art Digest, 1946)
The Florida Water Colors of John Singer Sargent (Vanity Fair, 1917)
The Industrial Visions of Paul R. Meltsner (Art Digest, 1936)
The Water-Colors of John Marin (VanityFair, 1922)
The Women of Reginald Marsh ('47 Magazine)
William Orpen and the Portrait of Mrs. Oscar Lewisohn (Vanity Fair, 1915)
Wyndham Lewis Gets Panned (The Spectator, 1921)


 

   
 
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