Movie History - Gone with the Wind Articles
A short notice from a Hollywood fan magazine announcing that Vivien Leigh (born Vivian Mary Hartley: 1913 – 1967), an actress largely unknown to U.S. audiences, had been cast to play the roll of 'Scarlet'. Accompanied by two breathtakingly beautiful color images of the actress, this short announcement outlines her genetic makeup, her previous marriage to Leigh Holman, and her thoughts concerning the upcoming roll.
Click here to read magazine articles about D.W. Griffith.
A proud daughter of Georgia, Susan Myrick (1893 - 1978) worked the sixteen hour days in Hollywood policing the Southern accents and manners of every performer who passed before the camera.
"What was the real origin of "Gone With The Wind"? Margaret Mitchell referred to a simple incident in her childhood. One afternoon, her mother took her on a buggy ride through the countryside around Atlanta, showing her all the once proud plantation homes that stood in crumbling shame from the Civil War, and others that were symbols of revival and progress. The impression never left her. "Gone With The Wind", she said, was the story of Georgians who survived and those who didn't."
"I chose the Civil War period to write about because I was raised on it," she once said. "As a child I heard everything about it, except that the Confederates lost."
"Observers of the career of David O. Selznick see his enterprises this year the culmination of a dream....The most lavish motion picture project ever conceived, 'Gone With the Wind', is already acknowledged as Selznick's chef d'oeuvre and the picture destined to mark the peak of cinema progress during the past 50 years. Executives of Metro-Goldwyn-Mayer, which company released the picture, as well as those of Selznick International who have seen it, are unanimous in declaring it the greatest picture ever made, and the most frequent comment heard today from those who have observed it in production is 'No one could have made it but Selznick.'"
Selznick produced blockbuster after blockbuster. He was awarded two Academy Awards during his Hollywood reign for 'Outstanding Production': one for 'Gone With the Wind' in 1939 and another one year later for 'Rebecca'.
This page from CLICK MAGAZINE contrasts three Civil War photographs by Matthew Brady (1822 – 1896) with three productions stills snapped on the sets of "Gone with the Wind". The editors refused to weigh-in on the slowly building case regarding Hollywood's questionable abilities to portray historic events with any degree of accuracy, preferring instead to praise the filmmakers as to "how carefully" they "checked details".
The Matthew Brady images provided on the attached page only serves to condemn the otherwise flawless work of "Gone with the Wind" costume designer Walter Plunkett (1902 - 1982) who historians and reënactors have slandered through the years for failing to fully grasp the look of the 1860s.
A YANK MAGAZINE interview with the author of GONE WITH THE WIND (1936).
At the time this article was printed, Margaret Mitchell (1900-1949; Pulitzer Prize 1937) was an American publishing phenomenon; "Gone with the Wind" (or GWTW, to those in the know) was said to be the fastest selling novel in the history of American publishing. Her one book had a sales record of 50,000 copies in one day and approximately 1,500,000 during it's first year. By May of 1941 the sales reached 3,368,000 in the English language alone (there were 18 translations made in all; the novel was a blockbuster in Germany, where 5000,000 editions were swiftly sold).
Available from Amazon: Gone with the Wind
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