When this profile of the thirty-tree year-old Thomas Hart Benton (1889 - 1975) was published, the painter was not as yet recognized as the eccentric that history remembers him to have been. The anonymous journalist took an enormous interest in understanding Benton's education and the source of his inspiration.
Click hereto read a 1936 art review regarding the paintings of Grant Wood.
A review of the paintings and sculptures from the Weimer Republic and the manner in which that new art served to reflect the social upheaval that was taking place in Germany at that time. The article concerns itself primarily with one art exhibit in particular, the Spring Exhibition of the Berlin Secession (1919) and the two art factions who participated: there were the artists of "Der Sturm" a movement that existed prior to the war and a newer, post-war tribe; the "November Group". Also displayed were the works of two painters who served in the Kaiser's army and did not return; Franz Marc (1880-1916) and August Macke (1887-1914).
"It is hoped by the German Expressionists and the artists of the "New Objectivity" that their art will serve as a tool for the destruction of Germany's old order."
Click here to see a few trench war images by German Expressionist Otto Dix.
Click here to read about Expressionist woodcuts.
"A child could do that" has been one of the most common utterances in response to the avant-garde movements of modern art. This short article reflects that view and was written in response to the New York Armory Show, which at that time, was attracting a good deal of attention in the press. The Armory Show is well-remembered today as the first art exhibition to introduce European-style modernism to the people (and artists) of that city. Pablo Picasso (1881 - 1973), as the co-creator of Cubism, is among those lampooned, as is Marcel Duchamp (1887 - 1968) for his painting, "A Nude Descending the Staircase".
Another Picasso article can be read here...
"Jacob Epstein was brought up in the city of New York, being one of a group of young men from the other side of the Bowery, some of whom have since become well known in the arts."
Attached is a photograph of the American expatriot sculptor Jacob Epstein and three of his pieces. This is a short notice heralding the great splash that the artist was making in the London art world of 1915. Although his work can be found in many of the world's finest museums, Epstein is best remembered today for his creation of the monumental sculpture that marks the grave of Oscar Wilde.
An appreciative five paragraph essay saluting the Modernist sculptor Constantine Brancusi (1876 - 1957), accompanied by one black and white image of the artist's work, "The Doves". Much of the review concerns the poor relationship Brancusi had with Auguste Rodin (1840 - 1917) who
had been his teacher in earlier days.