Ann Fish, Conde Nast cartoonist and shrewd observer of the social scene, seemed to think that Charlie Chaplin's ability to pull so many young people from the boulevards (where they could be monitored) and placed in dark movie theaters (where they could not) had led to a great many marriages.
This poem was submitted to the VANITY FAIR editors by an obscure film critic named Carl Sandburg (1878 – 1967):
"The room is dark. The door opens. It is Charlie
playing for his friends after dinner, "the marvel-
ous urchin, the little genius of the screen..."
Between the years 1920 - 1928, Sandburg served as the film critic for the Chicago Daily News.
*Watch Chaplin's Famous Table Ballet Scene*
Attached are five assorted photographs of Charlie Chaplin as they appeared on the sleekly printed pages of a 1916 issue of MOTION PICTURE MAGAZINE.
*Watch a Clip from a Charlie Chaplin Movie*
We have all seen it many times before: the well-loved, widely accepted comedian who decides that being adored by the masses is simply not enough. For too many comic talents, sadly, there comes a time when they slip on one banana peel too many and it occurs to them that they want the world to appreciate them for their ability to think. Comics who fill this description might be Al Frankin, Woody Allen or Steve Martin.
This article tries to understand why Chaplin wanted to play a tragic part in a 1921 London stage adaptation of William Thackeray's 'Vanity Fair'.
We have seen such behavior in comics many times before, they hadn't.
The Irish playwright St John Ervine (1883 - 1971) wrote this article for VANITY FAIR in an attempt to understand Charlie Chaplin's broad appeal; rich and poor, highbrow and lowbrow, all enjoyed his movies.
"Mr. Chaplin is the small boy realizing his ambitions."