When MAD MAGAZINE first appeared on newsstands in 1952 it was immediately recognized as something quite new in so far as American satirical magazine humor was concerned. The earliest issues were produced in comic book format with almost all content produced by its founding editor, Harvey Kurtzman (1924 – 1993); by 1955 the magazine's lay-out was altered to its current form. From its earliest days, Kurtzman and his publisher, William Gaines (1922 – 1992), began receiving unsolicited gags from many of the finest writers and performers on radio and TV. This article lists some of the scandals (both foreign and domestic) that the magazine inadvertently generated. THE HOBO NEWS printed poems, cartoons, pin-ups, essays and news items that were useful to that unique class of men who rode the rails and frequent flop-houses. It was established in New York City by Pat "The Roaming Dreamer" Mulkern (1903 - 1948); the paper was run by hobos, for hobos and printed proudly across the awnings of their assorted offices were the words "a little cheer to match the sorrow". Mulkern recognized that no self-respecting litigator would ever stoop to sue a newspaper with such a pathetic name, and so the paper was voluntarily in constant violation of U.S. copyright law by habitually printing the articles they most admired that had earlier appeared in COLLIER'S, THE NEW YORKER and THE SATURDAY EVENING POST.
Twenty-three years after Harold Ross (1892 – 1951) launched THE NEW YORKER, this profile of the man appeared on the newsstands:
"Ross is a kind of impostor. THE NEW YORKER is urbane; cactus is more urbane than Ross. THE NEW YORKER carries understatement almost to the point of inaudibility; with Ross the expletive crowds out most of the eight parts of speech....It is true that he never had a high school education; but it is also true that he is a master grammarian, and that the superb sense of style which informs THE NEW YORKER flows in part from his clean, uncompromising feeling for the English language."
Click here to read the second half of the Harold Ross profile. This portion is decorated with rejected cartoons from THE NEW YORKER...
Ross never forgot his days in Paris as the editor of THE STARS & STRIPES, click here to read an article about that period in his life. This is the second and final installment of the Harold Ross profile posted above. "The Enemy, according to the underground press, is 'The Establishment' - an amorphous term used by young radicals to mean parents, teachers, school administrators, the House Committee on Un-American Activities, the Pentagon, CIA, the media, government bureaucrats, the narcotics squad, businessmen, and the FBI. The favorite hate symbol within this curious Establishment is the policeman - according to the mythology of the Left, a brutal enforcer of the capitalist status quo and oppressor of youth."
"The revolution in America today supports about a dozen main propaganda organs. Chief among them is THE DAILY WORKER... it makes no pretense at impartiality. It is a revolutionary [newspaper] and nothing else, frankly admitted at every turn. For the genuine Red no such thing as an impartial newspaper exists... No one gets paid very much in the Red press. Salaries of twenty or twenty-five dollars a week are the maximum. One reason is political, we are told. Revolutionaries do not believe in high salaries.
In 1887 the NEW YORK TIMES reviewed the first english edition of Das Kapital by Karl Marx, click here to read it...
Click here to read more about the American communists of the 1930s.
|
