The attached article is disguised as a Hollywood fluff piece about actress Angela Lansbury (b. 1925), who at that time was about to earn her first and only Academy Award, but journalist Peter Churchill devoted the majority of column space to the life and career of her socialist grandfather George Lansbury (1859 – 1940), one time Member of Parliament and star of the British Labor Party:
"Old George was born, bred, lived and died among the poor of London, and never had any money, and yes, that goes for the time he was a member of His Britanic Majesty's Cabinet, too. But the folks down at the less desirable parts (we don't talk of slums) of the Bow and Bromley district of London where he lived could tell you what a difference it made to have a Cabinet Minister for a neighbor."
Click here to read George Lansbury's account of time he met Lenin...
You Might Also Want to Read an Article About Lady Nancy Astor, M.P.
Bernard Baruch (1870 - 1965) was a major player in President Franklin Roosevelt's "Brain Trust"; during World War Two he served that president as a respected adviser concerning economic matters. Not long after this interview, during the Truman Administration, he was appointed to serve as the first U.S. Representative on the U.N Atomic Energy Commission.
Click here to read a 1945 article about the funeral of FDR.
Artist Gilbert Wilson conducted this interview with American socialist cartoonist Art Young (1866 – 1943) which appeared in DIRECTION MAGAZINE during the summer of 1938. In the fullness of time, Art Young has come to be recognized as something of a demi-god in the American poison pen pantheon of graphic satirists and no study of Twentieth Century political cartoons is complete without him:
"Art Young has never adopted the policy of tearing into his foe (which is capitalism) with tooth and claw. It simply isn't his way. He just isn't capable of hating anyone or anything badly enough to get that angry."
"Isn't it rather the duty of a good radical, as Lenin said, 'Patiently to explain'?"
The following STAGE MAGAZINE article by American playwright Clare Boothe (Clare Boothe Luce 1903 – 1987) appeared in print shortly after the successful opening of her play, "The Women":
"Of course, writing plays wasn't exactly a flash of genius. I mean I am shewed in spots...But inspiration or calculation, it was frightfully lucky that I hit on writing plays, wasn't it? And it was so wonderfully fortunate that quite a lot of people that I'd met socially on Park Avenue, at very exclusive parties, people like cowboys, cooks, manicurists, nurses, hat-check girls, fitters, exchorines, declasses countesses, Westport intellectuals, Hollywood producers Southern girls and radical columnists, gave me such lovely material to write about."
Click here to read about feminine conversations overheard in the best New York nightclubs of 1937.
Noël Coward (1899 – 1973) "was simply the best all-rounder of the theatrical, literary and musical worlds of the 20th century. He invented the concept of celebrity and was the essence of chic in the Jazz Age of the 20s and 30s. His debonair looks and stylishly groomed appearance made him the icon of 'the Bright Young Things' that inhabited the world of The Ivy, The Savoy and The Ritz. No one is totally sure when and why it happened but following his success in the 1930s he was called 'The Master', a nickname of honor that indicated the level of his talent and achievement in so many of the entertainment arts." -so say the old salts at NoelCoward.net, and they should know because they have a good deal more time to think about him than we do.
The attached article was no doubt written by one of his many groupies for a swank American theater magazine following the successful New York premiere of his play "Design for Living":
Elsa Maxwell kept the party going during the Great Depression...
The attached profile of playwright Lillian Hellman (1905 – 1984) is accompanied by a rare photo of the thirty-four year old American writer, snapped shortly after the opening of her play, "The Little Foxes":
"Four seasons ago when 'The Children's Hour' was produced, that labeling which is the destiny of every important new playwright began. "Second Ibsen"..."American Strindberg"..."1934 Chekhov"...the rumors ran. In this finest example of Miss Hellman's highly individual contribution to the current theater, the Ibsen heritage seems most likely to win out."
In 1945 Hellman wrote about much of what she had seen on the W.W. II Soviet front; click here to read it