The attached article is but a small segment addressing the history of Hollywood during the war W.W. II years; clipped from a longer Photoplay Magazine piece that recounted the illustrious past of Hollywood some thirty-five years earlier.
"After Pearl Harbor, the men really began leaving town. David Niven was gone now. So too, was Flight Officer Laurence Olivier. And more and more from the Hollywood ranks kept leaving. Gable, Fonda, Reagan, the well-knowns and the lesser-knowns. Power, Taylor, Payne, Skelton and many others...More Hollywood regulars went away, so other, newer newcomers had to be found to replace them because the box office was booming." Song and Dance man Robert Watson (1888 - 1965) was Hollywood's-go-to-guy when they needed a fella to tread the boards as the Bohemian Corporal (Adolf Hitler). Throughout the course of his career he played him nine times. Here is the PM movie review of At The Front North Africa directed by John Ford and produced by Darryl Zanuck for the U.S. Army Signal Corps. The reviewer seemed irked that the film only showed the Germans having a difficult time.
Click here to read about the American Army in North Africa...
The week the French Army collapsed was the week Hollywood experienced the greatest number of production delays. Studio wags believed it was an indicator as to just how many European refugees were employed on their stages. Studio bosses banned all radio and newspapers from their properties in hopes that each production would maintain their respective schedules.
- from Amazon:
A few weeks before this article went to press, actor Jimmy Stewart had been told by the hardy souls at the U.S. Army induction center that he was ten pounds under weight - too light for a man of his stature (6'4"). A few visits to Chasens, among other assorted Hollywood eateries and he was all set to qualify as the first Hollywood star to enter the U.S. Army Air Corps. The True Glory is a documentary film about the Allied victory in World War II using actual footage from the war; the film was a joint effort between Great Britain and the United States intending to show the team work that won the war. Beginning with the D-Day invasion of Normandy Beach, the film chronicles the collapse of the Nazi war machine on the Western Front:
"This is the sort of film the Germans would never have made - because it shows our victories without gloating and admits setbacks like the Ardennes breakthrough; because it's peppered with humor and because, at the end, it warns against repetition of such a war."
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