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World War Two - Hollywood


Filming the War (Newsweek Magazine, 1945)

The True Glory is a documentary film about the Allied victory in World War II using actual footage from the war; the film was a joint effort between Great Britain and the United States intending to show the team work that won the war. Beginning with the D-Day invasion of Normandy Beach, the film chronicles the collapse of the Nazi war machine on the Western Front:

"This is the sort of film the Germans would never have made - because it shows our victories without gloating and admits setbacks like the Ardennes breakthrough; because it's peppered with humor and because, at the end, it warns against repetition of such a war."

 

''The Story of GI Joe'' (Pic Magazine, 1945)

The Story of G.I. Joe was released shortly before the war ended and was praised by General Eisenhower for being the best war movie he had ever seen. Directed by William Wellman, the film was applauded by American combat veterans of the time for it's accuracy - in their letters home, many would write that Wellman's film had brought them to tears. The movie was based on the war reporting of Ernie Pyle as it appeared in his 1943 memoir, Here Is Your War: Story of G.I. Joe. Although it is not mentioned here, Pyle himself had spent some time on the set as a technical adviser, and the film was released two months after his death.

More on Ernie Pyle can be read here...

 

What The GIs Thought of The Films of the Forties (Yank Magazine, 1945)

After four hard years of watching sappy Hollywood drivel about the war and the home front, the censorship machine was finally dismantled - which allowed the servicemen to speak their minds about what they REALLY thought about those movies...

 

Shooting Scenes Between Air Raids (Stage Magazine, 1940)

An article about director Gabriel Pascal (1894 – 1954) and all the assorted difficulties set before him, his cast and his crew while filming George Bernard Shaw's "Major Barbara" during the bombing of England in 1940.

Much of the article is composed of diary entries by an anonymous member of the cast:

"After dinner we had a script conference off the lot and kept on working through the air raid sirens, relieved to be away from the studio discipline. Tonight the sky was one vast blaze of searchlights, and no sleep for anyone. It's tough staying up all night and trying to work between raids all day..."

 

Hollywood Stars Cope with Food Rationing (Collier's Magazine, 1943)

If you ever wondered how Lucille Ball, Red Skelton, Barbara Stanwyck, Carmen Miranda, Veronica Lake, Charlie McCarthy or Edgar Bergen prepared their respective meals during the bad ol' days of food rationing during W.W. II - then you'll get your answer here:

"Hollywood has done a complete about-face and banned the lavish, costly dish.... These days when the inhabitants of Glamor Town take off their faces and sit down to dine, the taste may be varied, but every meal is eaten with the full knowledge that a quarter of a pound of butter or a pound of ground steak is just as rare in Hollywood as Wheeling, West Virginia."

 

Tears in the Dark of the Theater (Click Magazine, 1944)

Even the broad-shouldered, steely-hard men who toil daily over this website cry like little girls when exposed to the 1944 home front movie, Since You Went Away; for our money it was the best movie Hollywood ever produced about the war years.

That said, we invite you to take a gander at the attached photo-essay from CLICK MAGAZINE in which a spy camera using infrared film was used to capture the weeping masses sobbing in the dark of the theater as they watched that remarkable movie.

 


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