Illustrated with a photo of L.A. mobster Mickey Cohen and his wife, this short column from 1949 summarizes one of the many shake-down schemes that the thug would employ to blackmail Hollywood actors during their weaker moments.
Earl Blackwell and Ted Strong founded a curious institution that they called "Celebrity Services, Inc." in 1938 - figuring, as they did, that
"Today America has more celebrities than it can keep track of and Celebrity Services aims, simply, to keep track of them."
"Celebrity Services' office is a busy hodge-podge of files, cross-files, indices, cards folders, stuffed pigeonholes, telephones, confidential memos address books, private dossiers and fat envelopes" - all pertaining to the lives of 50,000 celeb-utopians.
To the highly ripped, bronzed-love gods who toil away at OldMagazineArticles.com, this article didn't seem peculiar in the least - but to your average magazine-reader in 1951 it must have been quite racey. It concerned the brisk pace at which Hollywood's leading men were able to get to first base in their respective movies; the prudish editors at QUICK MAGAZINE (note the name) actually brought a stop-watch into the theater.
In the contest between Burt Lancaster (seen on the left) and Robert Mitchum, Burt was the clear winner: clocking in at 30 seconds).
Screen scribe Sidney Carroll put to paper a serious column about the productive life of Samuel Goldwyn (1879 – 1974) and all that he had accomplished since he co-founded Hollywood (along with Cecil B. De Mille) in 1913:
"He has done many remarkable things in 30 years. He has made as many stars as any man in the business; he was the first to make feature-length films; he was the first to bring the great writers to Hollywood... Goldwyn is the greatest maker of motion pictures ever to come out of Hollywood [with the exception of The Goldwyn Follies (1938)].
Throughout film history there have been many men and women who have toiled in the Hollywood vineyards as art directors, but none have ever matched the level of high productivity as Cedric Gibbons (1893 – 1960). Indeed, he is remembered as the "dean" of art directors who stood head and shoulders above all others during Hollywood's Golden Age; between 1912 and 1956 there were hundreds movies that bore his thumbprint - winning Oscars for 39 of them (he was also one of the aesthetes who designed that award).
Illustrated by four photographs of his sets from the early Thirties, the attached article appeared mid-way through his career:
"At the Metro-Goldwyn studios in Culver City, just a few short miles from Hollywood, Mr. Gibbons rules supreme as art director. He is at the head of an intricately organized group of technical experts and artisans, numbering nearly two thousand individuals, and is responsible for the artistic investiture and pattern of some fifty or more feature films per annum."
Designs on Film: A Century of Hollywood Art Direction